Chiara Margarita Cozzolaniaus barock

Chiara Margarita Cozzolani (* 27 November 1602 in Milan; † between 4 May 1676 and 20 April 1678 ibid) was an Italian (Benedictine) singer and composer of the 17th century.

Life

The youngest daughter born into a wealthy merchant family in Milan, Italy, Margarita Cozzolani entered the convent and took her vows in 1620. She added “Chiara” as her religious name.

Her writings are very prolific, with some stylistic characteristics being the usage of sequences and switching modes. The duets and solos in her 1642 Concerti Sacri had followed suit in the Lombard style. Her four musical opere were published between 1640 and 1650, which is the date of her Vespers, perhaps her best-known single work. There is also a Paschal Mass. Her first publication, Primavera di fiori musicali, is lost. In the convent of Santa Radegonda, the nuns sang during major religious feast days. This drew a great deal of attention from the outside world. As abbess of Santa Radegonda, Cozzolani defended the nuns’ music, which came under attack from Archbishop Alfonso Litta, who wanted to reform the convent by limiting the nuns’ practice of music and other contact with the outside world. The archbishop’s qualms could not have been reassured by the ecstatic report of Filippo Picinelli, in Ateneo dei letterati milanesi (Milan, 1670) who found that “the nuns of Santa Radegonda of Milan are gifted with such rare and exquisite talents in music that they are acknowledged to be the best singers of Italy. They wear the Cassinese habits of St. Benedict, but they seem to any listener to be white and melodious swans, who fill hearts with wonder, and spirit away tongues in their praise. Among these sisters, Donna Chiara Margarita Cozzolani merits the highest praise, Chiara in name but even more so in merit, and Margarita for her unusual and excellent nobility of invention…”.

Donna Chiara Margarita Cozzolani disappears from the convent’s records after 1676. The first modern edition of her complete motets, for one to five voices and continuo, appeared in 1998.
Source Wiki: https://en.wikipedia.org/wiki/Chiara_Margarita_Cozzolani

List of opera

  • Primavera di fiori musicali. 1–4 Stimmen und Generalbass
  • Concerti sacri. 2–4 Stimmen und Generalbass
  • Scherzi di sacra melodia. 1 Stimme, Generalbass
  • Salmi à otto … motetti et dialoghi. 2–8 Stimmen und Generalbass
  • No, no no che mare. Arie

Discography












Sheet music

Score for choire

Laudate pueri a 6 (salmi a otto voci concertati)for 4-stimmig4 part, Chor & Orchesterchoir and orchestra, Gemischter Chormixed choir; Violineviolin
Edition: Orchesterpartiturorchestral score

for 4-stimmig4 part, Chor & Orchesterchoir and orchestra, Gemischter Chormixed choir; Violineviolin
Edition: Orchesterpartiturorchestral score

Domine ad adjuvandum me festina | Magnificatfor Gemischter Chormixed choir;
Edition: Chorpartiturchoral score

  • Domine ad adjuvandum me festina für 8 Stimmen
  • Magnificat für 8 Stimmen
for Gemischter Chormixed choir;
Edition: Chorpartiturchoral score

Domine ad adjuvandum me festina | Magnificatfor 4-stimmig4 part, Gemischter Chormixed choir;

  • Domine ad adjuvandum me festina für 8 Stimmen
  • Magnificat für 8 Stimmen
for 4-stimmig4 part, Gemischter Chormixed choir;

2 Christmas Motetsfor 3-stimmig3 part, 4-stimmig4 part, Frauenchorwomens choir;
Edition: Chorpartiturchoral score

  • Quis audivit unquam tale
  • Gloria in altissimis deo
for 3-stimmig3 part, 4-stimmig4 part, Frauenchorwomens choir;
Edition: Chorpartiturchoral score

Laudate puerifor Gemischter Chormixed choir;

for Gemischter Chormixed choir;

Messafor 4-stimmig4 part, Gemischter Chormixed choir; Cembaloharpsichord



for 4-stimmig4 part, Gemischter Chormixed choir; Cembaloharpsichord

O Caeli Civesfor Gemischter Chormixed choir; Cembaloharpsichord

for Gemischter Chormixed choir; Cembaloharpsichord

Alma Redemptoris Materfor Frauenchorwomens choir; Cellocello, Klavierpiano
Edition: Chorpartiturchoral score







for Frauenchorwomens choir; Cellocello, Klavierpiano
Edition: Chorpartiturchoral score

Gloria in Altissimis Deofor 4-stimmig4 part, Gemischter Chormixed choir; Cembaloharpsichord
Edition: Downloaddownload

for 4-stimmig4 part, Gemischter Chormixed choir; Cembaloharpsichord
Edition: Downloaddownload

Ave Regina Caelorumfor 3-stimmig3 part, Frauenchorwomens choir; Orgelorgel
Edition: Chorpartiturchoral score





for 3-stimmig3 part, Frauenchorwomens choir; Orgelorgel
Edition: Chorpartiturchoral score

Score for chamber music

O dulcis Jesufor Violineviolin







for Violineviolin

O Dulcis Jesufor Cembaloharpsichord

for Cembaloharpsichord

O Dulcis Jesufor Cembaloharpsichord

for Cembaloharpsichord