Isabella Leonardaaus barock

Isabella Leonarda by Public domain

Isabella Leonarda (* 6 September 1620 in Novara; † 25 February 1704 ibid), civil name Isabella Calegari, was an Italian nun and composer.

Life

Isabella Leonarda was born on 6 September 1620, the daughter of Giannantonio Leonardi and his wife, Apollonia. The Leonardi were an old and prominent Novarese family whose members included important church and civic officials and knights palatine. Isabella’s father, who held the title of count, was a doctor of laws.

In 1636, Leonarda entered the Collegio di Sant’Orsola, an Ursuline convent in Novara. Her family maintained close ties with Sant’Orsola as benefactors, which some speculate may have contributed to Leonarda’s influence within the convent. She held various positions of authority throughout her time at Sant’Orsola – as madre (1676), superiora (1686), madre vicaria (1693), and consigliera (1700). The precise significance of these titles is unclear, but superiora was probably the highest office in the convent.

Leonarda was a highly regarded composer in her home city, but her music was apparently little known in other parts of Italy. Lazzaro Agostino Cotta called her la Musa novarese (the muse of Novara) when he published a sonnet by A. Saminiati Lucchese which praised her musical talent, comparing it to the military prowess of Emperor Leopold I. Her published compositions span a period of 60 years, beginning with the dialogues of 1640 and concluding with the Motetti a voce sola of 1700. Leonarda is credited with producing nearly two hundred compositions during that period, though her only works appearing before 1670 were the dialogues printed by Gasparo Casati. It appears that she was over the age of 50 before she started composing regularly, and it was at that time that she began publishing the works that we know her for today.

Source Wiki: https://en.wikipedia.org/wiki/Isabella_Leonarda

Discography


















Sheet music

Score for choire

Salmi Per Il Vespro Della Beata Vergine Dfor 4-stimmig4 part, A-Cappellaa cappella, Gemischter Chormixed choir;
Edition: Chorpartiturchoral score

for 4-stimmig4 part, A-Cappellaa cappella, Gemischter Chormixed choir;
Edition: Chorpartiturchoral score

Ave Regina Caelorum (Marian antiphon): Choral Octavo (Broude Brothers)for A-Cappellaa cappella, Gemischter Chormixed choir;
Edition: Chorpartiturchoral score

for A-Cappellaa cappella, Gemischter Chormixed choir;
Edition: Chorpartiturchoral score

Missa in nativitate Dominifor 4-stimmig4 part, Gemischter Chormixed choir; Violineviolin



for 4-stimmig4 part, Gemischter Chormixed choir; Violineviolin

Vespro a cappella della Beata Vergine, op. 8for 4-stimmig4 part, Gemischter Chormixed choir;



for 4-stimmig4 part, Gemischter Chormixed choir;

Surge Virgo op. 10for 4-stimmig4 part, Gemischter Chormixed choir; Orgelorgel

for 4-stimmig4 part, Gemischter Chormixed choir; Orgelorgel

Vespro a Cappellafor 4-stimmig4 part, A-Cappellaa cappella, Gemischter Chormixed choir;
Edition: Chorpartiturchoral score

for 4-stimmig4 part, A-Cappellaa cappella, Gemischter Chormixed choir;
Edition: Chorpartiturchoral score

Score for chamber music

12 Sonaten Op 16for Orgelorgel, Violineviolin


for Orgelorgel, Violineviolin

Per il santissimo natale



  • Nive puer op.7,1
  • O pupuline belle op.12,3
  • In praesepe inter iumenta op.17,6

Spes Mondanefor Klavierpiano

for Klavierpiano

Sonate a 1, 2, 3 e 4 istromenti
Edition: Orchesterpartiturorchestral score


Edition: Orchesterpartiturorchestral score

Sonata Terza op. 16for Cellocello, Klavierpiano, Violineviolin



for Cellocello, Klavierpiano, Violineviolin

Ausgewählte Bass-Motetten





Iam diu dilecte mi jesu op 20for Violineviolin





for Violineviolin

Sonata prima op.16for Streicherstrings





for Streicherstrings

Sonata Duodecima op. 16/12for Violineviolin





for Violineviolin