Anna Bon di Veneziaaus classic

Anna_Bon_di_Venezia,_op._I,_title_page: Motmelderivative work: Hic et nunc / CC BY-SA (https://creativecommons.org/licenses/by-sa/3.0)

Anna Bon di Venezia (* 10. August 1738 in Bologna, Italien; † uncertain: after 1767) was an Italian composer, singer and harpsichordist.

Life

She made her debut as a composer in 1756 with the printing of her flute sonatas opus I, dedicated to Margrave Frederick of Brandenburg-Culmbach-Bayreuth. Her honorary title “Virtuosa di Musica di Camera” (Chamber Virtuoso) is presented on the title page. In Bayreuth she composed further sonatas and trios for harpsichord or flutes with basso continuo, which were also published between 1756 and 1759 by the Nuremberg publisher Balthasar Schmidts. These works have gained international recognition today. In addition to a sacred aria, handwritten vocal compositions are attributed to her whose authorship has not yet been confirmed.

The earliest (dated) evidence of Anna Bon as an opera singer is probably a musical manuscript in Leipzig. It concerns Domenico Fischietti’s opera La ritornata di Londra (text: Carlo Goldoni). The first explicit references as a participant in her parents’ opera company (1759/1760) mention opera titles by Johann Adolf Hasse and Christoph Willibald Gluck. Anna Bon remained involved in her parents’ artistic environment until 1765, from July 1762 at the court of Prince Nicholas I Joseph Esterházy de Galantha in Joseph Haydn’s ensemble. The last record of her at this court dates from 15 April 1765, after which her trace is lost.
Source Wiki: https://en.wikipedia.org/wiki/Anna_Bon

List of opera

  • Flötensonaten Nr. I - VI

Discography





Sheet music

Score for chamber music

Astra Coeli. Arie für S, 2 Vl,for Cembaloharpsichord, Kontrabassdoublebass, Violaviola, Violineviolin





for Cembaloharpsichord, Kontrabassdoublebass, Violaviola, Violineviolin

6 Sonate per Cembalo op. 2for Cembaloharpsichord



for Cembaloharpsichord

Bon, Anna di Venezia:Flötensonaten op. 1 Band 2for Flöteflute





for Flöteflute

Bon, Anna di Venezia:Flötensonaten op. 1 /P /Ffor Flöteflute





for Flöteflute

Sonaten op.1for Flöteflute, Klavierpiano

for Flöteflute, Klavierpiano

6 Sonatas for Keyboardfor Klavierpiano



for Klavierpiano

Sonate da Camerafor Cellocello, Flöteflute

for Cellocello, Flöteflute

Sonatefor Flöteflute

for Flöteflute

Sonate Ifor Flöteflute

for Flöteflute

Flötenmusik von Komponistinnenfor Flöteflute, Klavierpiano







  • Vorwort
  • Biographische Notizen
  • Anna Amalia von Preußen (1723-1787): Sonate F-Dur für Flöte und b.c.
  • Anna Bon di Venezia (um 1740
  • nach 1767): Sonate G-Dur für Flöte und b.c. op. 1/6
  • Leopoldine Blahetka (1809-1887): Variationen für Flöte und Klavier op. 39
  • Cécile Chaminade (1857-1944): Sérénade aux Etoiles für Flöte und Klavier op. 142 (1911)
  • Mélanie Bonis (1858-1937): Pièce für Flöte und Klavier op. 189
  • Germaine Tailleferre (1892-1983): Forlane für Flöte un Klavier (1972)
  • Lili Boulanger (1893-1918): Nocturne für Flöte und Klavier (1911)
  • Barbara Heller (geb. 1936): Parlando für Flöte und Klavier (1993)
  • Gloria Coates (geb. 1938): Phantom für Flöte und Klavier (1988/2004)
  • Dorothee Eberhardt (geb. 1952): Träume für Flöte und Klavier (2002)
  • Caroline Ansink (geb. 1959): Epitaph für Marius für Flöte und Klavier (2002)
  • Annette Schlünz (geb. 1964): tastend, tränend für Flöte und Klavier (2001)
  • Christine K. Brückner (geb. 1967): Tsetono für Flöte und Klavier (2004)
for Flöteflute, Klavierpiano

Score for orchestra

Six Divertimenti op. 111for Flöteflute



for Flöteflute